Bach Bibliography Search Result

Author : Butler, Gregory G.
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Butler, Gregory G.	Bach's Clavier-Übung III: The making of a print. With a companion study of the Canonic Variations on 'Vom Himmel hoch', BWV 769. Duke University Press, 1990. 139p. ISBN: 0-8223-1009-0.				1990	139p
	2.	Butler, Gregory G.	J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print.	Bach	20	2	Summer 1989	4-37
	3.	Butler, Gregory G.	J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History.	Bach	25	1	Spring-Summer 1994	5-10
	4.	Butler, Gregory G.	The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions.	Bach	33	1	2002	57-68
	5.	Butler, Gregory G.	Leipziger Stecher in Bachs Origianldrucken. Summary in English (p.153), French (p.154), Russian (p.155) and Czech (p.157).	BachJb	66		1980	9-26
	6.	Butler, Gregory G.	Neues zur Datierung der Goldberg-Variationen. Kleine Beiträge.	BachJb	74		1988	219-223
	7.	Butler, Gregory G.	Johann Sebastian Bachs Gloria in excelsis Deo BWV 191: Musik für ein Leipziger Dankfest. Kleine Beiträge.	BachJb	78		1992	65-71
	8.	Butler, Gregory G.	J. S. Bachs Kanonische Veränderungen über 'Vom Himmel hoch' (BWV 769). Ein Schlußstrich unter die Debatte um die Frage der 'Fassung letzter Hand'.	BachJb	86		2000	9-34
	9.	Butler, Gregory G.	The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s.	Bachperspectives	10		2016	76-86
	10.	Butler, Gregory G.	Johann Gottlob Immanuel Breitkopf: The Formative Years.	BachPerspectives	2		1996	159-168
	11.	Butler, Gregory G.	The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto.	BachPerspectives	4		1999	9-32
	12.	Butler, Gregory G.	J. S. Bach's Concerted Ensemble Music, The Ouverture. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2007. xi, 163p. ISBN: 0-252-03042-7. (= Bach Perspectives, 6)	BachPerspectives	6		2007	xi, 163p
	13.	Butler, Gregory G.	Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053).	BachPerspectives	7		2008	1-20
	14.	Butler, Gregory G. (ed.)	J. S. Bach's Concerted Ensemble Music, The Concerto. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2008. xi, 121p. ISBN-10 0-252-03165-2. ISBN13 978-0-252-03165-6. (= Bach Perspectives, 7)	BachPerspectives	7		2008	xi, 121p
	15.	Butler, Gregory G.	J. S. Bach's reception of Tomaso Albinoni's mature concertos.	BachStud	2		1995	20-46
	16.	Butler, Gregory G.	Borrowings in J. S. Bach's Klavierübung III.	CanadianUnivMReview	4		1983	204-217
	17.	Butler, Gregory G.	Scribes, Engravers, and Notational Styles: The Final Disposition of Bach's Art of Fugue.	[ce]AboutBach			2008	111-123
	18.	Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.)	About Bach. [Dedicated with affection to Christoph Wolff, Scholar; Mentor; Friend.] Urbana and Chicago: University of Illinois Press, 2008. xi, 216p. ISBN: 13: 978-0-252-03344-5; 10-0-252-03344-2.	[ce]AboutBach			2008	xi, 216p
	19.	Butler, Gregory G.	Der vollkommene Capellmeister as a stimulus to J. S. Bach's late fugal writing.	[ce]NewMatthesonStudies			1983	293-305
	20.	Butler, Gregory G.	Johann Gotthilf Ziegler: Der Notenstecher der Partiten III bis VI von Johann Sebastian Bach? [BWV 827-830]	[cr]Leipzig1985			1988	277-281
	21.	Butler, Gregory G.	The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. PhD. University of Toronto, 1973.	diss.			1973
	22.	Butler, Gregory G.	Toward a More Precise Chronology for Bach's Concerto for Three Violins and Strings BWV 1064a: The Case for Formal Analysis.	DortmundBachF	1		1997	235-247
	23.	Butler, Gregory G.	Toward an Aesthetic and Pedagogical Context for J. S. Bach's Italian Concerto BWV 971.	DortmundBachF	6		2003	223-230
	24.	Butler, Gregory G.	The projection of affect in Baroque dance music.	EarlyM	12	2	May 1984	200-207
	25.	Butler, Gregory G.	Fasch and the canonic trio sonata.	FaschSt	6		1997	249-262
	26.	Butler, Gregory G.	Bach's Preluding for a Leipzig Academic Ceremony. [BWV 65, 191, 198, 531, 545, 547, 564, 590, 667]	[fs]Leaver65			2007	51-67
	27.	Butler, Gregory G.	The Engravers of Bach's Clavier-Übung II.	[fs]Scheide			1993	57-69
	28.	Butler, Gregory G.	Johann Sebastian Bach und Johann Gottlieb Graun.	[fs]Schulze65			1999	186-193
	29.	Butler, Gregory G.	The origins of J.S. Bach's 'Wie jammern mich doch die verkehrten Herzen,' BWV 170/3.	[fs]Williams70			2007	227-236
	30.	Butler, Gregory G.	The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. [BWV 592-597; 972-987, 808, 1050]	IrishMStud	8		2004	93-101
	31.	Butler, Gregory G.	The Printing History of J. S. Bach's Musical Offering: New Interpretations.	JMcol	19	2	Spring 2002	306-331
	32.	Butler, Gregory G.	J. S. Bach and the Concord-Discord Paradox. [BWV 1086, 207]	JMcol	9	3	Summer 1991	343-357
	33.	Butler, Gregory G.	The engraving of J. S. Bach's six partitas.	JMcolResearch	7	1	1986	3-27
	34.	Butler, Gregory G.	Fugue and Rhetoric.	JMTheory	21	1	Spring 1977	49-109
	35.	Butler, Gregory G.	Eine neue Interpretation der Druckgeschichte des Musikalischen Opfers.	LeipzigerBeitrBachF	5		2002	309-320
	36.	Butler, Gregory G.	The Fantasia as Musical Image.	MQ	60	4	Oct 1974	602-615
	37.	Butler, Gregory G.	Music and Rhetoric in early 17th century English sources.	MQ	66	1	Jan 1980	53-64
	38.	Butler, Gregory G.	Ordering Problems in J. S. Bach's Art of Fugue Resolved.	MQ	69	1	Winter 1983	44-61
	39.	Butler, Gregory G.	Ordering Problems in J. S. Bach's Art of the Fugue Resolved. A paper read at the Forth-Fifth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, November 1-4, 1979 at The Biltmore, New York City.	[p]AMS_Biltmore			Nov 1979
	40.	Butler, Gregory G.	Mattheson's Der vollkommene Capellmeister and J. S. Bach's Late Fugal Writing. A paper read at the Forty-Seventh Annual Meeting of the American Musicological Society, 12-15 November 1981 at Park Plaza Hotel, Boston.	[p]AMS_Boston			Nov 1981
	41.	Butler, Gregory G.	The Proof Copies of J. S. Bach's Klavierübung III. A paper read at the Forty-Ninth Annual Meeting of the American Musicological Society, October 27-30, 1983 at The Galt House, Louisville.	[p]AMS_Louisville			Oct 1983
	42.	Butler, Gregory G.	New Research on J. S. Bach's Dritter Teil der Klavierübung (1739). A paper read at the Forth-Fourth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, October 19-22, 1978 at Hotel Leamington, Minneapolis.	[p]AMS_Minneapolis			Oct 1978
	43.	Butler, Gregory G.	J. S. Bach's Gloria in Excelsis Deo (BWV 191): Music for a Leipzig Dankfest. A paper read at the Pacific Northwest Chapter meeting of the American Musicological Society on 30-31 March-1 April 1990 at University of Washington.	[p]AMS_PacificNorthwest			Mar-Apr 1990
	44.	Butler, Gregory G.	J. S. Bach's Klavierübung III: Aspects of its Evolution as Revealed in the Original Print. A paper read at the Pacific Northwest Chapter meeting of AMS, 5-6 May 1984 at Stanford University.	[p]AMS_PacificNorthwest			May 1984
	45.	Butler, Gregory G.	J. S. Bach and the Schemelli Gesangbuch Revisited. A paper read at the Pacific Northwest Chapter meeting of the AMS on 16-17 November 1979 at the University of Victoria.	[p]AMS_PacificNorthwest			Nov 1979
	46.	Butler, Gregory G.	Borrowings in J. S. Bach's Klavierübung III. A paper read at the Pacific Northwest Chapter meeting of the AMS on 3-4 April 1981 at the University of British Columbia.	[p]AMS_PacificNorthwest			Apr 1981
	47.	Butler, Gregory G.	Using Chronological Markers to Establish Connexes of Bach's Concerto Movements. A paper read at the Pacific Northwest Chapter of the American Musicological Society on 9-11 April 1999.	[p]AMS_PacificNorthwest			Apr 1999
	48.	Butler, Gregory G.	Konrad Friedrich Hurlebusch and His Influence on J. S. Bach. A paper given at the Pacific Northwest Chapter meeting of the AMS on November 4-5, 1977 at the University of Washington.	[p]AMS_PacificNorthwest			Nov 1977
	49.	Butler, Gregory G.	The Engraving and Printing of J. S. Bach's Six Partitas. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985.	[p]AMS_Vancouver			Nov 1985
	50.	Butler, Gregory G.	The Prelude to J. S. Bach's Third English Suite BWV 808/1: An Allegro Concerto Movement in Ritornello Form. A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000.	[p]BCB_Dublin			Jul 2000
	51.	Butler, Gregory G.	Der äesthetische und pädagogische Kontext des Italienischen Konzerts. A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30. Januar bis 2. Februar 2002.	[p]BS_Dortmund			Jan-Feb 2002
	52.	Butler, Gregory G.	The Galant Style in Bach's Musical Offering: Widening the Dimensions Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.	[p]BS_Dortmund			Jan 1998
	53.	Butler, Gregory G.	Bachs Musicalisches Opfer. Neue Entdeckungen am Originaldruck. A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000.	[p]WK_Leipzig			Jan 2000
	54.	Butler, Gregory G.	J. S. Bach and the Schemelli Gesangbuch Revisited.	StudiMusicali	13	2	1984	241-257